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							<span class="month">Jun</span>
							<span class="day">10</span>
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									<a href="https://www.robertobosco.eu/en/critical-analysis-by-prof-luca-misiano/">										Critical Analysis by prof. Luca Misiano									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography/">Bibliography</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/critical-analysis-by-prof-luca-misiano/#respond">
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					<div class="excerpt"><p>The relationship with the major cultural issues of his time has always set apart the articulated and complex artistic research of Master Roberto Bosco.  His work has never been released&#8230;</p>
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							<span class="month">Jun</span>
							<span class="day">10</span>
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									<a href="https://www.robertobosco.eu/en/the-travellers-melancholy-edited-by-wuan-duanting/">										The traveller&#8217;s melancholy Edited by Wuan Duanting									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography/">Bibliography</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/the-travellers-melancholy-edited-by-wuan-duanting/#respond">
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					<div class="excerpt"><p>Since 1909, starting date of the Italian Futurist art, the artists have been developing a particular interest in dynamic forms, inspired by an attentive observation of bodies in action and&#8230;</p>
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<article id="post-2579" class="regular post-2579 post type-post status-publish format-standard hentry category-bibliography">

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							<span class="month">Jun</span>
							<span class="day">10</span>
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									<a href="https://www.robertobosco.eu/en/analysis-of-the-painting-of-master-roberto-bosco-edited-by-paolo-levi/">										Analysis of the painting of Master Roberto Bosco  Edited by  PAOLO  LEVI									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography/">Bibliography</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/analysis-of-the-painting-of-master-roberto-bosco-edited-by-paolo-levi/#respond">
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					<div class="excerpt"><p>Before I get into a historical and critical analysis of what characterizes Roberto Bosco’s study-wise heir to the poetics of existential realism in vogue in the seventies of the last&#8230;</p>
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<article id="post-2577" class="regular post-2577 post type-post status-publish format-standard hentry category-bibliography">

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							<span class="month">Jun</span>
							<span class="day">10</span>
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									<a href="https://www.robertobosco.eu/en/recent-works-by-tommaso-strinati/">										Recent Works by Tommaso Strinati									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography/">Bibliography</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/recent-works-by-tommaso-strinati/#respond">
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					<div class="excerpt"><p>The urban scene and humanity that Roberto Bosco lives constitute that common thread that links his recent works.  It’s a difficult relationship, trodden many times by art, cinema, poetry, music&#8230;</p>
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<article id="post-2575" class="regular post-2575 post type-post status-publish format-standard hentry category-bibliography">

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							<span class="day">10</span>
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									<a href="https://www.robertobosco.eu/en/critical-analysis-by-prof-claudio-strinati/">										Critical Analysis  by  prof. Claudio Strinati									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography/">Bibliography</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/critical-analysis-by-prof-claudio-strinati/#respond">
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									<a href="https://www.robertobosco.eu/en/critical-analysis-prof-paolo-levi/">										Critical analysis Prof. Paolo Levi									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography-macro/">Bibliography Macro</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/critical-analysis-prof-paolo-levi/#respond">
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					<div class="excerpt"><p>Roberto Bosco is a poet of urban solitude, his theatre does not represent a predestined scenic movement, but the chance of crossing destinies, unseen, brushing against each other like shadows&#8230;</p>
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<article id="post-2587" class="regular post-2587 post type-post status-publish format-standard hentry category-bibliography-macro">

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							<span class="month">Jun</span>
							<span class="day">10</span>
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									<a href="https://www.robertobosco.eu/en/critical-analysis-prof-claudio-strinati/">										Critical analysis Prof. Claudio Strinati									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography-macro/">Bibliography Macro</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/critical-analysis-prof-claudio-strinati/#respond">
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					<div class="excerpt"><p>As time passed Roberto Bosco’s singular and very personal narrative talent came out. A talent belonging to an indeed particular narrator who tells, somehow, always the same thing, starting it&#8230;</p>
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<article id="post-2585" class="regular post-2585 post type-post status-publish format-standard hentry category-bibliography-macro">

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							<span class="month">Jun</span>
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									<a href="https://www.robertobosco.eu/en/critical-analysis-prof-luca-misiano/">										Critical analysis Prof. Luca Misiano									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography-macro/">Bibliography Macro</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/critical-analysis-prof-luca-misiano/#respond">
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					<div class="excerpt"><p>A perception of more and more flowing images, joined in connection with each other and inscribed upon wide pictorial surfaces broaden in space which foster the ever-central artistic themes of&#8230;</p>
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<article id="post-2583" class="regular post-2583 post type-post status-publish format-standard hentry category-bibliography-macro">

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									<a href="https://www.robertobosco.eu/en/critical-analysis-prof-tommaso-strinati/">										Critical analysis Prof. Tommaso Strinati									 </a> 
															</h2>

							 
								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography-macro/">Bibliography Macro</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/critical-analysis-prof-tommaso-strinati/#respond">
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					<div class="excerpt"><p>As time passed Roberto Bosco singular and very personal narrative talent came out. A talent belonging to an indeed particular narrator who tells, somehow, always the same thing, starting it&#8230;</p>
</div><a class="more-link" href="https://www.robertobosco.eu/en/critical-analysis-prof-tommaso-strinati/"><span class="continue-reading">Read More</span></a>						
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<article id="post-2581" class="regular post-2581 post type-post status-publish format-standard hentry category-bibliography-macro">

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									<a href="https://www.robertobosco.eu/en/visual-expression-and-thought-by-prof-wang-duanting/">										“Visual expression and thought…” by Prof. Wang Duanting									 </a> 
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								<span class="meta-author"><span>By</span> <a href="https://www.robertobosco.eu/en/author/webxonex/" title="Posts by Martina Di Bartolomei" rel="author">Martina Di Bartolomei</a></span> <span class="meta-category">| <a href="https://www.robertobosco.eu/en/category/bibliography-macro/">Bibliography Macro</a></span> <span class="meta-comment-count">| <a href="https://www.robertobosco.eu/en/visual-expression-and-thought-by-prof-wang-duanting/#respond">
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					<div class="excerpt">{"id":2571,"date":"2014-06-10T08:41:37","date_gmt":"2014-06-10T08:41:37","guid":{"rendered":"http:\/\/www.robertobosco.eu\/?page_id=2571"},"modified":"2014-06-10T09:07:07","modified_gmt":"2014-06-10T09:07:07","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/www.robertobosco.eu\/en\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"<h1>&#8220;<strong><em>BEYOND THE BORDER\u00a0<\/em><\/strong>&#8221;\u00a0\u00a02012<\/h1>\n<div class=\"col span_6 col_last boxed\" data-animation=\"\" data-delay=\"0\"><span class=\"bottom-line\"><\/span>\n<h2><strong><em>Project \u201c BEYOND THE BORDER\u201d\u00a0<\/em><\/strong><\/h2>\n<p><em>My encounter with Roberto Bosco and his art has provoked in me a profound cultural and artistic fascination. His cities and characters without faces, that walk towards unknown destinations, give me the exact perception that our daily reality is falling into an irreversible homologation. <\/em><\/p>\n<p><em>We are all the same, there is no longer a singular identity, we are a mass going towards a destiny in which the surroundings are short-lived, transient, no longer describable.<\/em><\/p>\n<p><em>After many years working in the world of entertainment and the promotion of the Arts I have found in Roberto Bosco a synthesis of all that I have seen, done and thought; so with the project \u201cBeyond The Border\u201d I intend to promote this Artist realizing a series of exhibitions in the major capitals in 2012, starting in New York, Beijing, London, Berlin, Doha and fnally Rome.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Leopoldo \u00a0\u00a0Chizoniti \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/p>\n<\/div><div class=\"clear\"><\/div>\n<h1>Review<\/h1>\n<p>Roberto Bosco has developed in the last four or five years a particular form of art consistent in the representation of a continuous flow of\u00a0 a crowd that seems to&#8230;<\/p>\n<\/div><a class=\"more-link\" href=\"https:\/\/www.robertobosco.eu\/en\/critical-analysis-by-prof-claudio-strinati\/\"><span class=\"continue-reading\">Read More<\/span><\/a>\t\t\t\t\t\t\n\t\t\t\t\t<\/div><!--article-content-wrap-->\n\n\t\t\t\t\t\t\t\t\n\t\t\t   \n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t<\/div><!--\/content-inner-->\n\t\t\t\n\t\t<\/div><!--\/post-content-->\n\n\t<\/div><!--\/inner-wrap-->\n\t\t\n<\/article><!--\/article-->\n\t\t\t\t\t\t\n\t\t\t<\/div><!--\/posts container-->\n\t\t\t\n\t\t\t\t\t\n\t\t<\/div><!--\/span_9-->\n\t\t\n\t\t\n\t<\/div>\n\t\n\t\n<div class=\"col span_6 col_last boxed\" data-animation=\"\" data-delay=\"0\"><span class=\"bottom-line\"><\/span>\n<h2><strong><strong>\u201c<strong>BEYOND THE BORDER<\/strong>\u201d <strong>\u201cMACRO\u201d Testaccio<\/strong>\u00a0in Rome\u00a02013<\/strong>\u00a0<\/strong><\/h2>\n<p><strong>Introductory statement by Art Director of the Show Eventi Mr. Leopoldo Chizoniti<\/strong><\/p>\n<p>After the publishing of the first catalogue in 2012, linked to the project called \u201c<strong>BEYOND THE BORDER<\/strong>\u201d (\u201cOltre Confine\u201d), which stated Maestro Roberto Bosco\u2019s and my appearance in many expositions in renown museums and art galleries around the world, here is the new catalogue, named as well \u201c<strong>BEYOND THE BORDER<\/strong>\u201d (\u201cOltre Confine\u201d), illustrating the new creations of Maestro Bosco exposing at the Contemporary Art Museum <strong>\u201cMACRO\u201d Testaccio<\/strong> in Rome (21.12.2013\/26.01.2014), at the \u201c<strong>Georgia Berlin Galerie<\/strong>\u201d in Berlin (19.11.2013\/31.01.2014), at the \u201c<strong>China Songzhuang Wuwei Cottage at Art<\/strong>\u201d in Peking (01.11.2013\/31.01.2014), at the \u201c<strong>Brooklyn Museum<\/strong>\u201d in New York (2014), and at the \u201c<strong>Songzhuang Sunshine International Art Museum<\/strong>\u201d (2014) in the SONG ZHUANG artistic village, the most important in the Chinese Popular Republic.<br \/>\nI can honestly affirm that the last two years work were hard and laborious. Bringing Maestro Roberto Bosco\u2019s Art to the attention of the worldwide audience requested a great expenditure of strength and time; nevertheless, the satisfaction out of it was immense; I would certainly do it all again, facing the difficulties that this job inevitably involves with passion and love.<br \/>\nThe artistic universe is rather intricate and full of traps, and the promotion of an artist to the world is a titanic task which totally involves ourselves and our whole lives; nevertheless this gives us also enthusiasm and such a strength we didn\u2019t even know we possessed.<br \/>\nExposition after exposition my relationship with Maestro Roberto Bosco became stronger and deeper, such as to let me assert that we now enjoy a brotherly friendship due to a sincere complicity in our views.<br \/>\nHis International growth, the positive reception of critics and public, the commercial value of his works are the tangible confirmation of the good work behind his art; all of this is an incentive to carry on this way, to keep our journey called \u201cBEYOND THE BORDER\u201d go on.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Leopoldo \u00a0\u00a0Chizoniti \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/p>\n<\/div><div class=\"clear\"><\/div>\n<h1>Review<\/h1>\n<p>Roberto Bosco is an attentive observer and an innovator of dynamical shapes and images inspired by the most meaningful experiences in the Italian art of the XX century. The artist\u2019s&#8230;<\/p>\n<\/div><a class=\"more-link\" href=\"https:\/\/www.robertobosco.eu\/en\/visual-expression-and-thought-by-prof-wang-duanting\/\"><span class=\"continue-reading\">Read More<\/span><\/a>\t\t\t\t\t\t\n\t\t\t\t\t<\/div><!--article-content-wrap-->\n\n\t\t\t\t\t\t\t\t\n\t\t\t   \n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t<\/div><!--\/content-inner-->\n\t\t\t\n\t\t<\/div><!--\/post-content-->\n\n\t<\/div><!--\/inner-wrap-->\n\t\t\n<\/article><!--\/article-->\n\t\t\t\t\t\t\n\t\t\t<\/div><!--\/posts container-->\n\t\t\t\n\t\t\t\t\t\n\t\t<\/div><!--\/span_9-->\n\t\t\n\t\t\n\t<\/div>\n\t\n\t\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;BEYOND THE BORDER\u00a0&#8221;\u00a0\u00a02012 Review Review &nbsp;<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page-sidebar.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.7 - 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